AKA MEDIA SYSTEM
Art? Or the execution of critical theory? My work aims to establish new and useful connections between the worlds of software, hardware, and performance. I create interfaces, spaces, and objects that facilitate easy interplay between these realms, so that anyone can take part in the action. For me, a successful project involves its participants in a transformative process—the work adds depth to a once-familiar medium, and demonstrates a new direction to be explored.
You may also see my CV (.pdf)
HERE IS THE PORTFOLIO:
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VIDEO
STEAK FILTER (SOMERVILLE, 2009-2010)
A HOUSE IN BALI (BERKELEY, 2009)
SELECTIVE RECEPTION (CAMBRIDGE, 2009)
ATLAS OF MUD (CAMBRIDGE, 2009)
STRANGE RESTRAINT (COLUMBIA, 2006)
SUPER RADICAL (MANHATTAN CABLE ACCESS, 2005-6)
GOOP DREAM (HARVARD / RPL, 2005)
SURPRISE (New Hampshire, 2005)
A GOOD TRAP (New Hampshire, 2005)
MOOD DVD (Somerville, 2003-4)
PERFORMANCE
FOUR LOOPS (CAMBRIDGE, 2009)
COMEDY TRAGEDY (CAMBRIDGE, 2009)
SYNCWALKS (USA, 2005-present)
PS04 (HARVARD / EDINBURGH 2001-2004)
LCA (EDINBURGH / RPL, 2004)
J01NTS (HARVARD 2004)
DON'T WORRY ABOUT ME, I'LL BE FINE (HARVARD 2002)
AGAMEMNON (HARVARD 2001)
PRINT / TEXT
New Bible (after Chick) (SOMERVILLE 2004)
Book-of-Dancing (SOMERVILLE 2004)
broadcast (CAMBRIDGE 2003)
OBJECTS / ELECTRONICS
RUMBLE ongoing
MYLAR MOUNTAINS ongoing
AUDIO ORIENTEERING ongoing
DIGITAL INTERFACE
FLORA MORTIS
CAMEROON PROJECT
PINK CAKE
HULK $MASH
SELFPORTRAIT / FAILURE
KNOCKOFF PAINTINGS
SAFETY SERIES
AFFECTIONATE VELOUR (HARVARD / BEIJING 2004)
AUDIO
IZWELETHU
NUMBERS STATION
WHO'S FAKE? ME!
N RADIO
WE ARE FRIENDS RIGHT
Get some raw data.
SOFTWARE / WEB
the woods Max/MSP live composition environment
telepresents (expreimental website ca. 2003)
ENVELOPES (HARVARD / BEIJING 2004)
rotors (HARVARD 2004)
some allegorical friends (HARVARD 2004)
the immortal jellyfish (HARVARD 2004)
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